Kolarovic – Computing the performative.

1 – When generating performance based architecture based on a set of parameters and then optimizing the form based on running several types of simulations, what can and cannot be optimized? for example, how does aesthetics or multiple opinions of what is and is not a priority for the structure become “optimized”? Do such non-quantifiable variables define the role of the designer/architect?

Kolarovic – Towards the performative in Architecture

2 – I am struck by the dichotomy of the word “performance” in this reading. While on one hand he discusses “performative” architecture with the context of theater or popular culture, he also uses it to discuss structural or environmental qualities which have a more quantitative performance. How does this word open questions of how we as a society view “performance”, and the ever increasing demands on what architecture often has to achieve in a single project?

Khan and Beesley – Responsive architecture/Performing instruments

3 – I was very interested in the juxtoposition of the fun palace relative to the lovejoy plaza. Most interestingly, they are visually opposites, but both perform as variable use spaces which have fluid relationships with their occupants. How does the aesthetic play a role in these two projects, from a perspective of optimization? Natural vs Industrial aesthetics both being responsive and adaptable?